'Apocalypso Facto' with Robbie Conal and Ozomatli
at Bergamont Station, October 26, 2006
Review by Rodger Caldwell

We couldn't miss a Halloween week jaunt
to Bergamont Station, a local art complex that used to be a railway station,
where there is some kind of bizarre happening seven nights a week! In keeping
with the Halloween spirit, Robbie was displaying skeleton renditions
of the ghouls on the hill in Washington DC. Tonight it is a showing by Robbie
Conal called Apocalypso Facto. Robbie is a local legend, guerilla art activist
and political satirist who somehow has made a successful career out of
recruiting participants to paste up posters of his political caricatures all
over LA in the wee hours of the night. It is great fun and we recommend you give
it a go if you have the chance. Check out Robbie's work at
www.robbieconal.com.
Huge screen projections of Day of the Dead skulls and celebrations, and huge
eyes staring in the first room, led us to the next room with original artworks.
" Apocalypso Tango" featured Bush and Condoleezza Rice's heads growing from a
single skeleton body engaged in a dance with itself. The color scheme sticks to
the black, white and gray except for the vivid red of Condi's lips. Her
expression suggests she is thinking about a secret; Bush's face looks befuddled.
Next we encounter "Enron Geezer Bunny," a gruesome skeleton with the head of
Dick Cheney, holding his heart (dripping blood) in his bony right hand, while a
gold pacemaker labeled "Enrongeezer" drips gold blood from his chest with pink
rabbit ears. "Skull Juggling Rummy" tosses gold glitter and pink skulls, his
face a blob of melting pink sludge.

The real kicker pull for the event is the rumor that Ozomatli is playing at the
gig. Also local legends, these funkadelic mariachis blend hi-hop, East L.A. R&B,
and Latin melodies and rhythms into their own unique uncategorizable sound.
Their band member numbers vary from 8-12 or so depending on the gig. They hit
all the bases, from the percussive rhythm section, to the tightly arranged yet
improvisatory horns, to the vocal harmony, to the rhythm guitarist that crisply
accents the melody or breaks into a searing solo break. These guys are good and
their local reputation as a high energy party band builds the tension as we hear
them tuning up behind a big screen. They eased into a couple of ranchera tunes
for their first set. As the infectious rhythms filled the gallery a growing
number of dancers couldn't just stand still any longer. When they started the
second set the party was on. But we were already in the parking lot headed for
home….blasted day job so often interferes! We have watched Ozomatli grow from
LA's hip-hoppin rebel bad boys to big arena fillers… and Conal grow from local
rebel street artist to a gallery headliner with artworks graced with $7,000
price tags, and raised a glass of (free) wine in salute, wondering when our day
will come.
LA guitarist Rodger Caldwell
has been shooting the action ever since a resourceful high
school teacher offered a photo class to him as a last-ditch
attempt to keep him from dropping out. Jerry’s pit pix grace
such sites as hip-hop and world music's Fly Global Music Culture
in the UK.
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